Diminished 7th Arpeggios for Bass

These are movable shapes that can be applied to any Diminished 7th Chord Pay close attention to how the arpeggio moves through the chord.Root > Minor 3rd > Minor 3rd > Minor 3rdThis will be helpful when moving through the inversions with a root that starts on the 3rd string. For some great methods on how to practice these arpeggios and their inversions, visit our … Continue reading Diminished 7th Arpeggios for Bass

Dominant 7th Arpeggios for Bass

These are movable shapes that can be applied to any Dominant 7th Chord Pay close attention to how the arpeggio moves through the chord.Root > Major 3rd > Minor 3rd > Minor 3rdThis will be helpful when moving through the inversions with a root that starts on the 3rd string. The Green Dot demonstrates that there is more than one way to play this pattern … Continue reading Dominant 7th Arpeggios for Bass

Chord Tone Exercise Sheet

Step 1 Learn your arpeggios one at a time and practice them using the Cycle of 4ths. For a better understanding of the Chord Tones and their inversions (intervals), visit: Major 7th Arpeggios for Bass Minor 7th Arpeggios for Bass Dominant 7th Arpeggios for Bass Minor 7th(b5) Arpeggios for Bass Diminished 7th Arpeggios for Bass Step 2 Learn the inversions (intervals) for your arpeggios one … Continue reading Chord Tone Exercise Sheet

The Diminished Scale: 3 Variations with Diminished 7th Arpeggios

I designed these graphics to be my personal tell-all for the Diminished Scale. It covers the Diminished Scale in three finger positions and the Diminished 7th Arpeggios in the matching positions. The Diminished Scale: 3 Variations (Click on the > in the post to scroll through the different finger positions) Diminished 7th Arpeggios: 2 Finger Positions (Click on the > in the post to scroll … Continue reading The Diminished Scale: 3 Variations with Diminished 7th Arpeggios

The Whole Tone Scale: 3 Positions with Augmented 7th Arpeggios

I designed these graphics to be my personal tell-all for the Whole Tone Scale. It covers the Whole Tone Scale in three finger positions and the Augmented 7th Arpeggios in the matching positions. The Whole Tone Scale: Is used over augmented chords or as a substitute over dominant chords Can only be transposed once C2 0 C2 1 The Whole Tone Scale: 3 Finger Positions … Continue reading The Whole Tone Scale: 3 Positions with Augmented 7th Arpeggios

The Melodic Minor Scale: 3 Positions with Minor/Major 7th Arpeggios

I designed these graphics to be my personal tell-all for the Melodic Minor Scale. It covers the Melodic Minor Scale in three finger positions and the Major 7th Arpeggios in the matching positions. The Hamonic Minor Scale: Is used over minor/major chord or as a substitute over dominant chords Is the same as the major scale, but with a flat third. Is the same as … Continue reading The Melodic Minor Scale: 3 Positions with Minor/Major 7th Arpeggios

3 Great Bass Lines from Joe Dart

Joe Dart From: Harbor Springs, MichiganStarted playing bass at 8 years old.Influences: Flea, Pino Palladino, Rocco Prestia & Verdine White Vulfpeck: “Beastly” Download the bass transcription in both notation and tab for “Beastly” at the No Treble. (Click Here) Vulfpeck: “Lost My Treble Long Ago” Check out the notation for “Lost My Treble Long Ago” in this video from AJ Booker. Vulfpeck: “Dean Town” Download this bass transcription for “Dean Town” … Continue reading 3 Great Bass Lines from Joe Dart